The Creation Of Pottery Product Analyzed From Jia Gu Wen Calligraphy Identity

Abstract

Advancements in science and technology are expanding ancient civilization studies, with Jia Gu Wen, the first complete set of Chinese characters, discovered in 1899 and inscribed in 2017. The research aims to analyze and study Jia Gu Wen's calligraphy identity, as well as to create pottery products based on this unique style. This interdisciplinary research study utilizes philology, calligraphy, design, and sculpture knowledge to examine Jia Gu Wen's transformation into pottery, analyzing characteristics, publishing works, and satisfaction. The state is focusing on protecting "Jia Gu Wen" and ceramic art as intangible cultural heritage. Researchers extract Jia Gu Wen's characteristics to create ceramic works, promoting active protection and innovative development. Researchers created Chinese characters using various methods such as pictographic, indicative, associative, phono-semantic, transliteration, and loan. The number of Jia Gu Wen, both with single pictographic characters and those with two pictographic characters (ideographic characters), ranges from 618 to 672. Field research at museums in Thailand and China, along with the potter's art studio, explored the experimental design process of pottery creation using Jia Gu Wen. The design strategy integrated theoretical research and practical experiments using four techniques: relief, modeling, hollowing, and patching. The research is preserving "Jia Gu Wen" and ceramic art as intangible cultural heritage. Researchers conducted five design experiments to transform ancient characters into modern ceramic works, using glaze for colorful characters and pinching, molding, and engraving for three-dimensional shapes. The study also explored clay's role in creating people's shapes. Studying Chinese calligraphy and ceramics, with Jia Guwen's significant role in Chinese civilization, can protect ancient culture, promote industry development, and create unique artistic styles.